SIFF #6 Real-life coming of age movie. What stands out here is the subtle push and pull dynamics between modern values and conservative traditions. On one hand we have characters saying the "correct" things, like "we parents shouldn't interfere what our children want", or there seemingly is direct intervention from School teachers and folks from "People's Committee" aiming to protect children's rights, which makes you think that tradition, as it stands, maybe are merely performative traditions in this day and age. Until at the very end when the brutal sequence unfolds in front of our eyes, the camera and the parents of Di, who almost decides to do nothing.

波兰斯基回忆：当我追忆自己遥远的过去，真实与想像的界线总是那样令人失望地模糊和混乱，我生命的关键就在于此。也许它需要我一生的时间去理解，也许就是他使我饱受磨难和挑战，感到悲伤和失望，但我看到前面的大门已经打开，若不是它，也许这扇大门会紧紧关闭，直到永远。大肉大捧一进一出好爽MBA成了他的情人。

看完一时还说不出话，除了觉得恐怖和害怕。

这里的女性角色棒。推荐她和她的朋友前几集。自从她朋友去世后的剧情就有喜欢的有……的。配乐，台词，女性角色的服装，小道具，她家和公司。松隆子好棒。市川的角色也好棒，喜欢这个角色。松田龙平的脸确实如同朋友说的书里夹扁的虫的那种感觉。最后一集她母亲和她的同性恋人那段，同性恋人借编剧的口说出女儿和家人更重要，在女性角度来看，在强调个人自由的女性主义者来看这段台词真是让人难以忍受。以及一系列孤寂，大肉大捧一进一出好爽MBA需要人照顾，弱者，三个跟踪狂不请自来前夫这里……

第二集舒服供应链中的搬家和定做卡车垫给我印象深刻